Results tagged “Blonde on Blonde” from

In a past life, Fresh and the Qualifier used to get paid to write about music. For years they toiled through a tag-team article called Counterbalance, going head to head, hashing out the relative merits of new releases for the local Chicken Dinner Newspaper. But that was a long time ago - before the economy crashed, sending their frivolous Arts & Entertainment section down in flames.

After wandering in the wilderness, lost and directionless, Fresh and the Qualifier have returned to take on their most challenging assignment: the Greatest Albums of All-Time. Do these critics' darlings hold up, or are they just hyped up?

Robert Allen Zimmerman is a man of many faces and many names. As Bob Dylan he created Blonde on Blonde, album number seven on our great list, and cemented himself as the songwriter among a generation of songwriters. Dylan's music has been dissected every which way from Sunday. Can it stand a little bit more? Fresh and the Qualifier step into the ring with Bob Dylan's Blonde on Blonde.
 
Fresh: Q-Man, I'm about to commit blasphemy. I like Dylan. But I don't love Dylan. When it comes to Dylan, given my druthers, I'd rather listen to Highway 61 Revisited. When it comes to music in general, given my druthers, I'd probably choose to listen to something other than Dylan. Is there something wrong with me? Did I just cash a one-way ticket to music critic hell?
 
Qualifier: I'm glad you said that, Fresh. It's true that your abject blasphemy has most certainly earned you a place in rock critic hell (move over, guy from Entertainment Weekly). And while I'm sorry about that, I must thank you for blunting the force of my own transgression - I don't think Blonde on Blonde is anywhere near Dylan's best album, and I wish the criticerati would take a breath from their incessant fawning over it.